THE EXTENDED UNIVERSE
How Disney Killed the Movies and Took Over the World
Vicky Osterweil
Haymarket Books (March 3, 2026)
Trade paper • ISBN-13: 9798888903667 • US $19.95 • 5 in x 8 in • 288 pgs.
ABOUT THE BOOK:
A provocative history of Disney’s rise to cultural dominance, pulling skeletons from the corporate closet to decode the political messages hidden in all of your favorite childhood movies.
In The Extended Universe, Vicky Osterweil takes us on a quest to discover how Disney’s “imagineers” have made it impossible to reflect on the wonders of growing up without thinking of Disney’s movies, amusement parks, and merchandising. Drawing on extensive interviews with filmmakers, screenwriters, union organizers, and Disney “adults” alike, Osterweil unearths reactionary political commitments and maleficent legal maneuvers so cartoonishly evil they would make one of Walt’s own animated villains blush.
Along the way, Osterweil braids together corporate skullduggery with a not entirely unsympathetic analysis of some of Disney’s most famous movies. The result is an entertaining and convincing case that Disney’s entire business model has been built upon a ruthless and fanatical insistence on intellectual property rights—from Steamboat Willie to Infinity Wars and beyond!
PRAISE:
“A razor-sharp critique. . . . A plucky argument against Big Fairytale.”
Publishers Weekly
“In The Extended Universe, Vicky Osterweil pairs blistering cultural criticism with sharp material analysis to reveal the very real dangers of Disney (and its main weapon, IP). From sexless superhero Hollywood hegemony to COVID deaths to the military-industrial complex, Osterweil maps out the Magic Kingdom’s proper place as a stronghold of the dark empire of modern capitalism. An essential read for understanding the current moment.”
Jordan Harper, screenwriter and author of Everybody Knows and She Rides Shotgun
“Vicky Osterweil has again provided us with a crystal clear, brilliant, deeply researched, readable book that exposes how systems of domination actually work. The Extended Universe persuasively argues that the enforcement of intellectual property law is not a specialized topic of interest to artists and musicians, but is central to the distribution of medicine and food, poverty and violence. Anyone who cares about responding to the current crises threatening life on earth should read this account of exactly how our lives have been shaped by Disney’s manipulations. Because of the ubiquity of Disney in our lives and imaginations, and the extent to which generations have become emotionally attached to Disney’s productions, this book is a particularly compelling and useful tool for exposing a broad audience to the terrifying global order that props up the fantasy.”
Dean Spade, author of Mutual Aid, and Love in a F*cked-Up World: How to Build Relationships, Hook Up, and Raise Hell Together
“With The Extended Universe, Vicky Osterweil tells the story of Disney with the stories of Disney. Essential reading for Disney lovers and haters alike.”
Malcolm Harris, author of What’s Left: Three Paths Through the Planetary Crisis
“With The Extended Universe, Vicky Osterweil offers a masterful exposé of, and intervention against, one of the most insidious and powerful property regimes of the last century—intellectual property. Osterweil is the brilliant, generous, and revolutionary guide we need to rethink cultural production today, and kill the Mouse inside our heads.”
Natasha Lennard author of Being Numerous: Essays on Non-Fascist Life
“The Extended Universe tears the intellectual property driven world we live in limb from limb, chewing up everything from corporate strategy to collective viewing habits. Osterweil leaves nothing but picked-over bones and a little hope that maybe we can make something new out of the remains.”
Cameron Kunzelman, host of Ranged Touch
ABOUT THE AUTHOR:
Vicky Osterweil is a writer, organizer, and brick-mason based in Philadelphia. Her first book, In Defense of Looting , was an account of historical struggles for liberation in the United States. She is currently the in-house film critic for AJ+, and cohosts a popular movie review podcast, Cerise and Vicky Rank the Movies . She has written about the intersections of film, politics and culture for a variety of outlets, including The Paris Review, Art in America, Al Jazeera America, The Baffler, Dissent, Lux Magazine , and The New Inquiry , where she was also a culture editor for many years. Her series on the political economy and cultural role of videogames, “Well Played,” which ran in Real Life Magazine from 2019-2020, won her the Blogger of the Year award from prestigious video game criticism outlet Critical Distance.
RIGHTS INFORMATION:
Please contact subagents for the following languages and territories:
| Language/Territory | Subagent |
|---|---|
| China, Taiwan, Indonesia, Malaysia, and Vietnam | Big Apple Agency |
| Dutch | Sebes & Bisseling Literary Agency |
| English outside North America | David Grossman Literary Agency |
| French | Deborah Druba Agency |
| German | Paul & Peter Fritz AG Literatur Agentur |
| Greek | Read n' Right Agency |
| Hebrew | The Deborah Harris Agency |
| Italian | Berla & Griffini Rights Agency |
| Japanese | The English Agency (Japan) Ltd |
| Korean | BC Agency, or Korea Copyright Center |
| Portuguese | RIFF Agency |
| Russia/Baltics/Eastern Europe | Prava I Prevodi |
| Scandinavia | Sebes & Bisseling Literary Agency |
| Spanish in Latin America | MB Agencia Literaria |
| Spanish in Spain | MB Agencia Literaria |
| Turkish | Anatolialit Agency |
For all other languages/territories, please contact Roam Agency.